Category Archives: Raptors

Vultures of the Caucasus

The following are  illustrations included  in my 2005 field guide to Raptors and Owls of Georgia (Buneba Print) – which includes all the then-known diurnal and nocturnal birds of prey found in the nation of the Caucasus Region. The book was produced in collaboration with the Georgian Center for the Conservation of Wildlife – a BirdLife International affiliate, and was coauthored by Lexo Gavashelishvili and Zura Javakhishvili. The gallery below also includes some of the sketches created in preparation for the guide during the fall of 2004. Only some of the book’s illustrations of vultures are shown here.

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If you are interested in any of these works, either the originals or prints, please contact Rafael at GalvezBirds@gmail.com

Raptors and Owls of Georgia COVERRaptors and Owls of Georgia was the first comprehensive field guide to the birds of prey recorded in this mountainous country, describing 45 species including breeding birds, seasonal residents, migrants, and uncommon visitors.

The book is available for sale through the following distributors: NHBS (UK), Buteo Book (U.S.) and Amazon.

Vultures of Georgia-Caucasus

Some of these illustrations were also included in Lexo Gavashelishvili’s excellent book, Vultures of Georgia and the Caucasus (Buneba Print, 2005).

Why Use Sport Optics to Sketch Wildlife?

In the same way that binoculars and telescopes have revolutionized the way we observe nature, they have revolutionized the way we approach wildlife sketching and painting in the field. The advantages are particularly felt when rendering birds; their fleeting nature and small size make it often difficult to get close looks without flushing them. Sport optics allow us to see great detail, even at a distance.

The key to good field sketches is plenty of time observing. By holding a sketch pad in one hand, I can use the binoculars with the other.
The key to good field sketches is to spend as much time observing your subject as possible. By holding a sketch pad in one hand, I can use the binoculars with the other. This way, I can go back and forth quickly between views and drawing to give my thumbnails the necessary character.

Binoculars give you the portability to do sketches on-the-go while using a small sketch pad. This is a great way of loosening up and doing quick gestures. You’d be surprised how much of a bird’s posture and behavior you can capture in this manner. It is an excellent way of quickly retaining information about your observations while you are birding and will help you better understand birds in the long run.

With their greater magnification, spotting scopes are excellent for observing extreme detail on birds. Once upon a time, only a bird in the hand could have given us such information to complete our drawings and paintings. With practice, it is possible to create accurate renderings of birds and other wildlife based entirely on observation through a scope, without the need for additional source material. With the stability of the tripod, you may spend lengthy periods of observation while developing complex drawing and paintings.

The stability of a scope and tripod frees your hands for lengthier sketches.
The stability of a scope and tripod frees your hands for lengthier sketches.

But why use binoculars or a scope to draw wildlife, when one could just take multiple photographs and video, and paint from the comfort of the studio?

While some like to work exclusively from photographs, I like to base my work as much as possible on the field experience. My position on the use of photographs is that it would be a big loss of a tremendous opportunity not to take advantage of their ready availability as reference material. Where many err in the use of photos is when they copy ONE image, and inevitably turn out a lifeless drawing.

But at the end of the day, it is all about what you want to get from a sketch or a painting. If all you are interested in is the pure enjoyment of expressing animals through an unrestricted use of form and color, then field sketching with optics may not be the challenge for you.

As I observed a Snail Kite on its perch, I took advantage of its head constantly turning to understand its complex bill from different perspectives.
As I observed a Snail Kite on its perch, I took advantage of its head constantly turning to learn more about its complex bill and head by sketching it from different perspectives.

The great advantage of working from a living subject is the opportunity to observe and understand its form “in the round.” Copying one photograph will never give you that advantage, since you can only see the “shape” of the bird as dictated by its particular frozen posture at the time the picture was taken, and not its “form” and volume.

Illustrations of Snail Kites from "A Field Guide to Hawks, North America" by Clark and Wheeler (1987). The depictions of birds in field guides have traditionally been rendered with a graphic flatness conducive of their use as comparative images.
Illustrations of Snail Kites from “A Field Guide to Hawks, North America” by Clark and Wheeler (1987). The depictions of birds in field guides have traditionally been rendered with a graphic flatness conducive of their use as comparative images.

For many of us with a long history of ingesting bird paintings primarily through the use of field guides, it is as if we’ve conditioned ourselves to the depiction of birds as flat icons.

In reality, birds – and most animals – are all but flat. Many bird species are quite sculptural, and the forms of some may change quite radically depending on their posture, behavior, and on the angle from which we are viewing them. Light and the use of feathers also play a tremendous role on how we perceive birds. Binoculars and scopes are great tool that will help you study birds though your sketches with more intimacy and precision, allowing you access to information that will strengthen your drawings and give you a deeper understanding of your subject matter.

Like most challenging endeavors, practice and patience are important. Below are links to a series of articles covering topics related to sketching in the field through binoculars and spotting scopes:

Neotropical Raptors of Trinidad & Tobago

Imagine the possibility of 37 raptor species in a territory smaller than Delaware, or one sixth the size of Belgium! The wonderful Caribbean islands of Trinidad & Tobago have that many raptors on record. Not to mention the 400 or so bird species that make this nation a birding paradise.

I returned from a trip through Trinidad & Tobago with Caligo Ventures astounded by the wealth of bird species we saw – tropical rainforest passerines, hummingbirds, trogons – the list goes on. Trinidad & Tobago is a nation composed of two main islands and several islets no more than 13 miles from the coast of Venezuela. For its relatively small territory, the nation boasts a surprisingly diverse bird life.

Neotropical Raptors GALVEZ

Above is a field sketch of raptors seen from the Northern Range, overlooking the Arima Valley on June 11, 2012. The sketch includes Common Black Hawks, Turkey Vultures, a Zone-tailed Hawk, a Short-tailed Hawk and a Swallow-tailed Kite. Click image for a larger view.

The composition was done on a 7″ x 9″ sheet of 100 lb cold-pressed watercolor paper. Each bird was done as a pencil thumbnail directly from observation through binoculars (Leica Ultravid 8×32 HD), filling in the composition one by one during a fast paced day of birding. The watercolor was added later, with the rendition of the Arima valley done the next morning from the veranda at the Asa Wright Nature Center.

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Above are details of the watercolor sketch, depicting the various species observed during a relatively brief stop at an overlook along the mountainous road. The thumbnail sketches range in size from less than half an inch to more than two inches. In each, I’ve made an earnest effort at capturing the flight attitude that differentiates the depicted species.

While the abundance of hummingbirds alone would have made the trip unforgettable, I was particularly excited about seeing any of the 37 diurnal raptor species documented from this archipelago nation. I was fortunate to observe 14, and I have also posted about one of my most memorable – the Bat Falcon, and interesting observations about the mud-covered legs of a Common Black Hawk.

This article was originally posted in the Florida Keys Hawkwatch blog on July 15, 2012.

TRINIDAD: NATURE & WILDLIFE ART WORKSHOP
FEBRUARY 23 – MARCH 1, 2017

VENT2_kicsi

To find our more about tours led by Rafael Galvez visit the
Victor Emanuel Nature Tours website.

Bat Falcon: TRINIDAD

June 10, 2012. Asa Wright Nature Center and Lodge, Northern Range, Trinidad.

Falco rufigularis: A small and intrepid Neotropical falcon that takes most of its prey on the wing. Though it does consume bats, these typically compose no more than 15% of its diet. It hunts primarily hummingbirds, tanagers and swifts by agile aerial pursuits, though insects such as dragonflies and lepidopterans are also taken in substantial quantities. Rodents and other ground dwellers are taken on occasion. It is the falcon with the highest rate of reversed sexual dimorphism, with females up to 30% larger than males.

A Bat Falcon perched on a snag overlooking the Asa Wright estate house, and most members of my Caligo Ventures group had already seen it from the spectacular veranda by the time I got there that morning.

It was a raining and mist could be seen over the Arima Valley below, climbing the forested slopes of the surrounding mountains. The wet falcon kept mostly in a tucked posture, perched above eye level and facing down the slope.

Bat Falcon studies GALVEZ

The colors of some birds appear saturated when wet and their feathers become stringy, hugging the body and giving them an unusual contour. This morning, the sky washed with a thick atmosphere that flattened distances, and the falcon appeared dark and silhouetted.

I must confess that Bat Falcon was high up on my Trinidad & Tobago (T&T) wish list, and I was thrilled to see this bird regardless of lighting conditions. The proximity lent by my trusty scope – Leica Televid series – fixed this.

I decided to truncate breakfast and stayed with the bird some 40 minutes. We were soon to depart on a full day’s journey, and as we learned the hard way, the tour bus waited for no one. I managed to do a couple of watercolor sketches and several quick pencil and ink renderings. All the renderings in this post were done based on field observations of this bird from the Asa Wright veranda.

Bat Falcon GALVEZ

My first impression was that of a small bull-headed falcon in the vein of a stocky Eurasian Hobby. Superficially, the combination of a heavily patterned breast against rufous thighs and vent add to this. And the aerobatics of the Bat Falcon have a similar reputation as the hobbies, in terms of speed and agility. However, authorities consider the species a closer relative of the Aplomado Falcon, and particularly of the Orange-breasted Falcon, with which they share general similarities in appearance, vocalization and behavior.

As I quickly sketched, I noticed that this bird had brownish primary feathers, indicating a certain amount of wear, and a warmer cast to the greater coverts compared to the bluer upper parts. In the case of most North American falcons, wing molt begins once the birds are nesting. Females tend to molt primaries while incubating and males when nestlings are being reared. I also noticed the tail feathers in a bit of disarray and falling short of the folded wing tips. Most male Bat Falcons have wing tips shorter or equal to tail length while the wing tips of females may surpass tail length. However, rain causes feathers to appear out of the ordinary, and I might have been interpreting this bird more than is prudent.

Rain seemed to be slowing by the time I left this Bat Falcon. Now its appearance was changing; its feathers fluffed and its posture enlivened as it commenced preening.

Bat Falcon sketches GALVEZ

Sketching in the field

I use a telescope and binoculars to do many of my field sketches and paintings of birds. During this trip I carried an assortment of paper, none larger than 14” x 10”, and a couple of small sketchbooks. Because of the wet conditions throughout the trip, particularly in Trinidad’s Northern Range, the paper was always moist or wet, especially after hikes in the rain.

  • Bat Falcon preening: This was rendered over a watercolor gesture done on site. Pencil and color details were added later that day and the following morning, using sketches from other renderings as reference.
  • Bat Falcon – various postures and talon details: Most of the watercolor was done on site. Details were added later.
  • Bottom image: Pencil and ink rendering done on site. Watercolor added that night.

This article was originally posted on the Florida Keys Hawkwatch blog on July 15, 2012.

TRINIDAD: NATURE & WILDLIFE ART WORKSHOP
FEBRUARY 23 – MARCH 1, 20

VENT2_kicsi

To find our more about tours led by Rafael Galvez visit the
Victor Emanuel Nature Tours website.

A Common Black Hawk with Dark Legs?

Here are some sketches from my June of 2012 trip to Trinidad & Tobago. Below is the lower portion of a spread done at the Caroni Swamp in northeastern Trinidad. To the left is a Common Black Hawk (Buteogallus anthracinus) and to the right a pair of Tropical Screech-Owls (Megascops choliba).

coblackhawk-tropical-screech GALVEZ

I lugged around nice paper, watercolors and favorite pads, but 80% of the sketches I did were pencil thumbnails on a 3.5” x 5.5” Moleskine originally meant for notes. Since it had been raining most of the trip, I found it more prudent to quickly pull out this pad from my pocket and sketch. It was a run and gun trip – mostly a birdwatching group and they liked a quick pace.

Dark Legs on a Common Black Hawk?

Everyone knows that Common Black Hawks – and all Buteogallus sp. – have yellow legs. Well how did I wind up with dark legs in my sketches?

It turns out I captured the mud-caked legs of a bird, which appeared naturally dark at first. Common Black Hawks that live in mangrove habitats will often walk over the mud, foraging for crabs or fish stranded by the tides. And anyone who’s ever walked on mangrove shallows knows how soft this clay can be. In South Florida, I’ve often seen egrets, spoonbills and shorebirds with dark legs as a result of walking on this clay.

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I often wonder whether I capture any information of value in my sketches. Photographs can hold so much detail that one often discovers minutia in them that wasn’t necessarily noticeable in the field. Not to mention the speed of it compared to sketching.

We were cruising on a flats boat through the Caroni Swamp when this Common Black Hawk was discovered, perched on the branches of a Red Mangrove. We must have spent no more than five minutes on this bird, as it flew from one perch to another. It is rare that I have the luxury of pulling out the desired paper and watercolors while the bird is posing for me.

The screech-owls were deep in the mangroves along the path leading to the boat ramp. I was still trying to sketch the forms of nearby Red-capped Cardinals when the owls were announced. It seemed as if the photographers in our group were challenged by branch obstructions – yet I don’t doubt that some phenomenal photos resulted from this. I must have spent no more than eight minutes on this sketch. Sure, it does not hold enough information for me to derive a complete painting from it, but combined with future sketches, I might have enough to compose something worthy.

RBTR Little Tobago GALVEZ

Often, sketches are no more than quick lines. In them, I try to capture jizz and form first. If I don’t have the right shapes to begin with, it won’t matter how much detail I add. The image will only be a stylization. We spent no more than 15 minutes at the overlook from Little Tobago Island, from where we watched Red-billed Tropicbirds, Red-footed and Brown Boobies fly by.

All these sketches were done while observing birds in the field using Leica Ultravid 8×32 HD binoculars. Their compact and lightweight build are perfect for holding with one hand while sketching with the other. The short length of their barrels allows for excellent bright and crisp images, which compensate for less magnification.

This article was originally posted in the Florida Keys Hawkwatch blog on July 23, 2012.

TRINIDAD: NATURE & WILDLIFE ART WORKSHOP
FEBRUARY 23 – MARCH 1, 2017

VENT2_kicsi

To find our more about tours led by Rafael Galvez visit the
Victor Emanuel Nature Tours website.